AGATA INGARDEN

CV

agataingardenstudio@gmail.com

L’heure de chien (entre chien et loup) 
2020, oyster shells, painted steel, mosquito net, neon lights, electrical wiring, window blinds
in Borderlinking, at High Art Gallery, Paris

L’heure de chien (entre chien et loup)
2020, oyster shells, painted steel, mosquito net, neon lights, electrical wiring, window blinds

L’heure de chien (entre chien et loup)
2020, detail

The Lounge,
2020, exhibition view “Alles war Klar”, Kunstlerhaus, Vienna

The Lounge, 2020
Forest, 2019 (carbonised sugar, painted metal)  
Lounge comfort 1,2, 2020 (carpet, foam, painted metal, caramel drips)

A Picnic at Sunset, 
2019, detail
Future, Former, Fugitive, Palais de Tokyo, Paris

A Picnic at Sunset, 
2019, exhibition view Future, Former, Fugitive, Palais de Tokyo, Paris

A Picnic at Sunset,
2019, carbonised sugar, mushroom, jesmonite, broken solar panels, painted metal, cables, bolts, clamps

Five fingers, sixth hand, 
2019, exhibition view, collaborative show with Delphine Mouly, Alienze, Lausanne 

Sunset room
2019, detail, salt and natural food colorants
 

Sunset room
2019, detail, salt and natural food colorants

Off-Season 
2019, video, 10’, 16:9, HD, color, stereo
In Five fingers, sixth hand

Sunset
2019, double sided mirror, coated steel, glass vase, alcohol, table, salt
In Five fingers, sixth hand

The Solstice, (Bomba Fragola),
2019, bee wax, metallic mesh sew with copper wire, uv lightbulb, electric cord, silicone
In Five fingers, sixth hand

Solstice room
2019, The Solstice, carpet, blinds, text by Ethan Assouline
In Five fingers, sixth hand

Hothouse
2019, solo exhibition, Berthold Pott Gallery, Cologne, DE

Like mushrooms after rain
2019,coated metal, carbonized sugar, oystershells, acoustic foam crystilized in salt, salt, food pigment, oystershells, doublesided mirror

Dragonfly’s Dream
2019, wood, coated steel, cherrywood, double sided mirror

Lightning III and VII
2019, redwood, coated steel, doublesided mirror

Venus
2019, coated steel, oyster shells, carbonized sugar, silicone, copper wires

HEARTACHE
2019, solo exhibition at Soft Opening Gallery, London, UK

The House
2018, solo exhibition DNSAP Beaux Arts de Paris

The House
2018, ceramics, sound installation, video, coated metal, acoustic foam and butter- flies crystalized in salt

The Screen
2018, coated metal, acoustic foam and butterflies crystalized in salt

The Mirror I
2018, detail

The Moth
2018, glazed seramics, sound system

The Arm
2018, still shot from video, 4’41m, HD, sound

The Eyes
2018, still shot from video, 4’27m, HD, sound

Sweaty hands, 2017 . EXO EXO. Paris

BATHROOM / BATHHOUSE
2017 . exhibition with Irina Jasnowski . MX Gallery . New York

Heat Pipe 1
2017 . caramel, coated steel, copper wires

Mates - still alive ( crabs in the tank )
2017 . fish tank, water, aluminium, copper

Concrete chair 1, 2
2017 . concrete, metal rebar

sticky surveillance
2016 . installation view at The Cooper Union . round elevator, steel, caramel, copper wires, carpet

Still alive - mates
2016 . installation view at The Cooper Union . rooftop, horseshoe crabs casts, sand, aluminium, copper

it smells like iron
2016 . steel, water contaminated with rust, video, resin, ceramics, concrete, sound system

The Antidote 2
2016 . epoxy resin, steel, chicken wire, cables, wasps . 73 x 57 x 7 cm

LEG
2016 . ceramic . 140 x 40 x 55 cm

hanging on a string (Cosmos)
2015 . steel, screen, video 21 min . 210 x 50 x 50 cm

the era of car is over (experiment in Krakow, Poland)
2013 . poster . 300 x 400 cm

Mercedes V6 Engine
2014 . sandstone . 60 x 50 x 50 cm

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